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Monteverdi - Madrigali guerrieri et amorosi / Rooley, The Consort of Musicke


by: Claudio Monteverdi, Anthony Rooley, Emma Kirkby, Evelyn Tubb, The Consort of Musicke, Kristine Szulik, Paul Agnew, Andrew King Mary Nichols, Alan Ewing, Allan Parkes Richard Edgar-Wilson


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

Madrigal History Tour


by: The King's Singers, The Consorte of Musicke, various/anonymous/traditional, Anthony Rooley


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

The King's Singers' Madrigal History Tour


by: John Dowland, William Byrd, Giaches de Wert, Anonymous, Philippe Verdelot, Jacques Arcadelt, Giovanni Giacomo Gastoldi, Rossino Mantovano, John Bartlet, Thomas Tomkins, John Farmer, Orlando Gibbons, Thomas Morley, Clement Janequin, Pierre Certon, Orlando de Lassus, Pierre Passereau, Claude Le Jeune, Adrian Willaert, Alonso de Mudarra, Juan del Encina, Mateo Flecha, Hans Leo Hassler, Ludwig Senfl, Paul Hofhaimer, Erin Headley, Anthony Rooley


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

Gesualdo: Quinto libro dei madrigali


from: L'oiseau-Lyre


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

Dowland - The Collected Works / The Consort of Musicke, Rooley


by: John Dowland, Anthony Rooley, Emma Kirkby, Christopher Wilson, The Consort of Musicke, Colin Tilney, Anthony Bailes, Jakob Lindberg, Nigel North, Glenda Simpson, Peter Holman, John Donne


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

A Hyperion Treasury


from: Hyperion UK


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

A Musical Hodge-Podge of English Song, 1600-1750


from: Regis Records


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

Olympia's Lament


from: Elektra / Wea


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

The Glory of Purcell


from: Polygram Records


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...

Carlo Gesualdo: Fifth Book Of Madrigals For Five Voices


from: Polygram Records


: :'Madrigali guerrieri et amorosi' ('Madrigals Warlike and Amorous') is how Claudio Monteverdi titled his eighth and largest book of madrigals--which was actually two volumes in one. The 'warlike madrigals' (concerned largely with the 'war of love') feature the 'agitated style' Monteverdi pioneered: quick, almost nervous writing, lots of rapidly repeated notes, and more syllables than a Gilbert & Sullivan patter song. These works culminate in the famous short quasi-opera Il Combattimento de Tancredi e Clorinda. The 'amorous madrigals' are no less ardent, but they are less, well, warlike--that is, more leisurely paced, with ...



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