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Rent (1996 Original Broadway Cast)


by: Jeff Potter, Anthony Jackson, Daniel A. Weiss, Ira Siegel, Kenny Brescia, Steve Skinner, Adam Pascal, Aiko Nakasone, Anthony Rapp


: :Into Broadway's creative vacuum of revivals, movie adaptations, and Hollywood star vehicles comes Rent, the story of squatters, junkies, performance artists, struggling musicians, drag queens, aspiring filmmakers, and HIV-positives (and you thought Miss Saigon's helicopter landing was cool). Undoubtedly among the defining pop cultural events of 1996, Rent has already won four Tony awards and a Pulitzer Prize for Drama. More importantly, it threatens to bring substance back to the Great White Way. Transposing Puccini's 100-year-old opera La Bohème into modern day Bohemia (19th-century Paris's Left Bank becomes late-20th-century New York's East Village ...

Dreamgirls


from: Sony


: :The big question about this soundtrack is: how's she doing? No, not Beyoncé, silly--how's Jennifer Hudson doing? And more specifically, how's she doing by 'And I Am Telling You I'm Not Going'? To this reviewer's ears, she doesn't top the original Effie, Jennifer Holliday--or even Lillias White, from the 2001 Dreamgirls in Concert. On the other hand, Hudson isn't afraid to pullout all the stops, whipping herself up into a total diva frenzy as the song getscaught up in an unstoppable crescendo. As for Beyoncé, she adapts superbly to the 1960s- and 1970s–tinged ...

Phase 4 Stereo: Gilbert & Sullivan: HMS Pinafore / D'Oyly Carte Opera Company


by: Arthur Sullivan, Arthur Jackson, Thomas Lawlor, Ralph Mason, Valerie Masterson, Donald Adams, John Reed, Christene Palmer, John Ayldon, Pauline Walkes, James Walker, Royal Philharmonic Orchestra


: :The big question about this soundtrack is: how's she doing? No, not Beyoncé, silly--how's Jennifer Hudson doing? And more specifically, how's she doing by 'And I Am Telling You I'm Not Going'? To this reviewer's ears, she doesn't top the original Effie, Jennifer Holliday--or even Lillias White, from the 2001 Dreamgirls in Concert. On the other hand, Hudson isn't afraid to pullout all the stops, whipping herself up into a total diva frenzy as the song getscaught up in an unstoppable crescendo. As for Beyoncé, she adapts superbly to the 1960s- and 1970s–tinged ...

King Kong: Original Motion Picture Soundtrack


from: Decca


:Album Description:Known for his robust orchestral scores laced with lush sounds, James Newton Howard's compelling music for King Kong is a treasure destined to become another classic in his rich catalogue. Tracks such as 'A Fateful Meeting' and 'Defeat Is Always Momentary' take the listener on an urgent voyage to an undiscovered land, while 'It's Deserted' and 'Beautiful' evoke the lyrical beauty of the landscape created by Jackson and inhabited by the films memorable characters. Howard perfectly compliments the feeling of suspense, love and compassion the film so powerfully conveys.James Newton Howard is ...

Trio in Tokyo


by: Michael Petrucciani, Steve Gadd, Anthony Jackson


: :This 1997 recording features the late French pianist Michel Petrucciani and his trio of drummer Steve Gadd and bassist Anthony Jackson in performance at the Blue Note in Tokyo. The musicians might seem an unlikely team, as Petrucciani (who died in January 1999) was an unabashed romantic in the lyrical piano tradition that extends from Duke Ellington through Bill Evans and Keith Jarrett, while Gadd and Jackson are best known as masters of the contemporary studio groove. Yet they achieve an organic sense of swing, even if Jackson's bass guitar lacks the rich ...

Ian Bostridge - Great Handel


from: EMI Classics


: : Listening to these very diverse arias, it's easy to understand why Beethoven is reported to have esteemed Handel above all other composers. The program includes three of his greatest hits: 'Ev'ry Valley,' 'Where'er You Walk,' and 'Ombra mai fu.' The other arias, taken from operas and oratorios and in Italian and English, are less familiar but no less great. They display Handel's versatile, multi-faceted genius and his ability to express every human mood and emotion through purely musical means. In his liner notes, Ian Bostridge traces his Handelian roots back to his ...

IF


by: Fahir Atakoglu, Horacio el Negro Hernandez, Anthony Jackson


: :“...International award winning composer, Fahir Atakoglu is a much-esteemed composerand pianist in Europe and Turkey, in the fields of large symphonic works and film music. His works have also been performed in various music festivals in Europe and across The United States to much acclaim. This CD called “IF” marks an interesting departure for him. Instead of a ninety piece orchestra, his music here is performed by only three musicians, and what a fabulous trio it is! Fahir’s playing and his harmonic and original rhythmic sense in his compositions, electrifies the musical ...

Beauty & The Beast


from: EMI Int'l


: :“...International award winning composer, Fahir Atakoglu is a much-esteemed composerand pianist in Europe and Turkey, in the fields of large symphonic works and film music. His works have also been performed in various music festivals in Europe and across The United States to much acclaim. This CD called “IF” marks an interesting departure for him. Instead of a ninety piece orchestra, his music here is performed by only three musicians, and what a fabulous trio it is! Fahir’s playing and his harmonic and original rhythmic sense in his compositions, electrifies the musical ...

Flashpoint


by: Steve Smith, Dave Liebman, Aydin Esen, Anthony Jackson


:Album Description:This all-star project brings together four highly respected players who authoritatively straddle the worlds of freewheeling jazz improvisation and kinetic, rock-fueled intensity creating a savvy blending of acoustic and electric instruments into a provocative and hard-hitting hybrid on Flashpoint!

Baby Boy: Original Motion Picture Score


from: Varese Sarabande


:Album Description:This all-star project brings together four highly respected players who authoritatively straddle the worlds of freewheeling jazz improvisation and kinetic, rock-fueled intensity creating a savvy blending of acoustic and electric instruments into a provocative and hard-hitting hybrid on Flashpoint!



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