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Assault on a Queen
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Long Hot Summer (1958)
: :Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles's better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone ...
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Period of Adjustment
: :Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles's better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone ...
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Death Wish 2
: :Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles's better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone ...
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Career (1959)
: :Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles's better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone ...
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Rio Conchos
: :Paul Newman has his glorious youthful swagger in this southern-fried melodrama, which marked his first picture with Joanne Woodward (they married after shooting ended). The script is a melange of William Faulkner stories, although it appears more under the influence of Tennessee Williams and Picnic than the Nobel Prize winner. Drifter Newman catches the eye of schoolmarm Woodward and her father, a rural Mississippi bigshot (Orson Welles). This is not one of Welles's better moments; he appears to be conducting make-up experiments. There is some enjoyable flapdoodle along the way, in the Freud-meets-Gone ...
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A Face in the Crowd
: essential video:More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry 'Lonesome' Rhodes turns out to be a megalomaniacal rat bastard. The film turns ...
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Double Threat
: essential video:More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry 'Lonesome' Rhodes turns out to be a megalomaniacal rat bastard. The film turns ...
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Firepower
: essential video:More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry 'Lonesome' Rhodes turns out to be a megalomaniacal rat bastard. The film turns ...
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Cricket,The
: essential video:More timely now, perhaps, than when it was first released in 1957, Elia Kazan's overheated political melodrama explores the dangerous manipulative power of pop culture. It exposes the underside of Capra-corn populism, as exemplified in the optimistic fable of grassroots punditry Meet John Doe. In Kazan's account, scripted by Budd Schulberg, the common-man pontificator (Andy Griffith) is no Gary Cooper-style aw-shucks paragon. Promoted to national fame as a folksy TV idol by radio producer Patricia Neal, Griffith's Larry 'Lonesome' Rhodes turns out to be a megalomaniacal rat bastard. The film turns ...
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