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Please Help Me I'm Falling
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Revolutions of Time: The Journey 1975-1993
: essential recording:More so than most country artists, Willie Nelson is difficult to thoroughly investigate without delving into his individual releases, which often revolve around either musical or lyrical concepts. So give Columbia credit for assembling such a cohesive, provocative collection, one that covers every aspect of his glorious career and that amply showcases his distinctive singing, songwriting, and gut-string work. Disc 1 (entitled Pilgrimage), worth the price of admission alone, focuses on his remarkable 1970s and early-1980s work: the Red Headed Stranger cuts, the Lefty Frizzell tributes, the Stardust standards, searing live ...
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Newport Folk Festival: Best of Bluegrass 1959-1966
: :Although the college kids and liberal urbanites who flocked to the first Newport festivals may have romanticized bluegrass as traditional mountain music, at least they knew great pickers when they heard them. In the early '60s, most bluegrass artists were struggling to build a new audience in the wake of rock & roll and Nashville countrypolitan, and Newport gave them both a venue and a community. The Stanley Brothers, Flatt & Scruggs, Hylo Brown, and especially Bill Monroe responded with a palpable energy and joy. These three discs document some uniformly excellent performances, ...
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The Melody Ranch Girl
: :Although the college kids and liberal urbanites who flocked to the first Newport festivals may have romanticized bluegrass as traditional mountain music, at least they knew great pickers when they heard them. In the early '60s, most bluegrass artists were struggling to build a new audience in the wake of rock & roll and Nashville countrypolitan, and Newport gave them both a venue and a community. The Stanley Brothers, Flatt & Scruggs, Hylo Brown, and especially Bill Monroe responded with a palpable energy and joy. These three discs document some uniformly excellent performances, ...
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The Bocephus Box
: :Although the college kids and liberal urbanites who flocked to the first Newport festivals may have romanticized bluegrass as traditional mountain music, at least they knew great pickers when they heard them. In the early '60s, most bluegrass artists were struggling to build a new audience in the wake of rock & roll and Nashville countrypolitan, and Newport gave them both a venue and a community. The Stanley Brothers, Flatt & Scruggs, Hylo Brown, and especially Bill Monroe responded with a palpable energy and joy. These three discs document some uniformly excellent performances, ...
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Songs of the West
from: Rhino / Wea
: :Although the college kids and liberal urbanites who flocked to the first Newport festivals may have romanticized bluegrass as traditional mountain music, at least they knew great pickers when they heard them. In the early '60s, most bluegrass artists were struggling to build a new audience in the wake of rock & roll and Nashville countrypolitan, and Newport gave them both a venue and a community. The Stanley Brothers, Flatt & Scruggs, Hylo Brown, and especially Bill Monroe responded with a palpable energy and joy. These three discs document some uniformly excellent performances, ...
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Making Believe
: :Although the college kids and liberal urbanites who flocked to the first Newport festivals may have romanticized bluegrass as traditional mountain music, at least they knew great pickers when they heard them. In the early '60s, most bluegrass artists were struggling to build a new audience in the wake of rock & roll and Nashville countrypolitan, and Newport gave them both a venue and a community. The Stanley Brothers, Flatt & Scruggs, Hylo Brown, and especially Bill Monroe responded with a palpable energy and joy. These three discs document some uniformly excellent performances, ...
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Jimmy Martin and the Sunny Mountain Boys
: :Although the college kids and liberal urbanites who flocked to the first Newport festivals may have romanticized bluegrass as traditional mountain music, at least they knew great pickers when they heard them. In the early '60s, most bluegrass artists were struggling to build a new audience in the wake of rock & roll and Nashville countrypolitan, and Newport gave them both a venue and a community. The Stanley Brothers, Flatt & Scruggs, Hylo Brown, and especially Bill Monroe responded with a palpable energy and joy. These three discs document some uniformly excellent performances, ...
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Texas Troubadour
:Album Description:4 CDs in a hard-back digi-book, including all of his 60's & 70's recordings for Poppy & Tomato labels, plus eight live songs from 1973. The set's 52 page, lavishly illustrated, color booklet includes a detailed biography of the Texas troubadour, as well as a track-by-track commentary. 2001.
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Keeper of the Flame
:Album Description:4 CDs in a hard-back digi-book, including all of his 60's & 70's recordings for Poppy & Tomato labels, plus eight live songs from 1973. The set's 52 page, lavishly illustrated, color booklet includes a detailed biography of the Texas troubadour, as well as a track-by-track commentary. 2001.
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